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The Manual presents the state of the art of the research about discourse and communication within the Romance languages. It offers introductory articles which explain in a simple and clear way the current research topics of a broad variety of disciplines like Linguistics, Pragmatics, Discourse Analysis, Communication Theory, Text Linguistics and Philology. The authors of the Manual collectively explain complex theoretical problems concerning communication and discourse, and texts as its products. The contrastive descriptions contain examples in different Romance languages which show the...

This is the first major monograph on the work of one of Britain's most dynamic artists, Wolfe von Lenkiewicz. His striking paintings and drawings mine the hallowed halls of art history and popular culture in search of visual languages, imagery, themes, and motifs that he can appropriate, adapt, use, and abuse, bringing together different movements, genres, periods, and styles in dialogues that are surprising, innovative, and sometimes provocative. Lenkiewicz's imagination and energy seem to be inexhaustible, concocting endless amazing hybrids such as iconic Renaissance paintings invaded by...

Alongside considerable continuity, 20th-century diachronic linguistics has seen substantial shifts in outlook and procedure from the 19th-century paradigm. Our understanding of what is really new and what is recycled owes a great debt to E. F. K. Koerner's minutely researched interpretations of the work of the field's founders and key transitional figures. At the cusp of the 21st century, some of the best known scholars in the field explore how these methodological shifts have been and continue to be played out in historical Romance, Germanic and Indo-European linguistics, as well as in work...

El catálogo “Horror Vacui: una colección de pintura barroca” presenta los ejes conceptuales que guiaron la curaduría para la exposición del mismo nombre, realizada en el Museo de Artes Visuales de la Universidad de Bogotá Jorge Tadeo Lozano. El trabajo curatorial destaca las obras pertenecientes en su gran mayoría a una colección privada, en otros casos, a museos e iglesias de Bogotá; en este se resaltan algunos temas de las imágenes de la época colonial cuya cantidad y disposición responden al coleccionismo o reunión de pinturas propio de la época tanto en el ámbito laico...