Refuerzo de lengua. 2o ESO. Cuadernos de lengua

Un día de verano, debajo de un árbol, la hermana de Alicia estaba leyendo un libro. Alicia la escuchaba, pero era un libro muy aburrido. De repente pasó un conejo blanco con levita corriendo y gritando: "¡Se me hace tarde!". Con el pretexto de alejarse de ahí, Alicia siguió al curioso conejo. Y así comienza una larga serie de aventuras en El País de las Maravillas... One summer day, under a tree, Alicia's sister was reading a book. Alicia listened to her, but it was a very boring book. She suddenly passed a white rabbit in a frock running and yelling: "I'm late!" On the pretext of...

Lara Finch lives a lie. Everyone thinks she is happily married to the faithful Sam. She is actually super bored and misses working. Behind Sam's back, she takes a job in London. Twice a week she takes the sleeper train, where she meets Ellen and Guy. One Friday, Lara disappears from the train without a trace. Her friend Iris does not believe the official story she is told about the disappearance and decides to start her own investigation. Iris cannot believe what she finds out.

Like the other Sasek classics, these are facsimile editions of his original books. The brilliant, vibrant illustrations have been meticulously preserved, remaining true to his vision more than forty years later and, where applicable, facts have been updated for the twenty-first century, appearing on a "This is . . . Today" page at the back of each book. The stylish, charming illustrations, coupled with Sasek’s witty, playful narrative, make these books a perfect souvenir that will delight both children and their parents, many of whom will remember them from their own childhood. In This is...

Publicada por primera vez hace treinta aǫs, El mv̤il, primera novela de Javier Cercas, es un absorbente thriller metaliterario que parece contener como en germen la obra entera de este novelista, hoy consagrado como uno de los grandes escritores europeos contemporǹeos. Los temas centrales de El mv̤il -la vocacin̤ literaria, la responsabilidad del escritor y los lm̕ites de su ťica, las relaciones sutiles e inextricables entre lo real y lo inventado- son temas a los que Cercas ha vuelto una y otra vez.