J.A. Peralta Reavis and Doña Sophia Loreta Micaela de Maso Reavis Y Peralta de la Cordoba

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute...

Como una rueda La ciudad de Babel es la noria, que representa muchas cosas: la luz, la sombra y el eterno retorno, como lo pensó Nietzsche y, mi héroe, o mejor, mi antihéroe, Emiliano Isaías Gamboa, una brizna insignificante en el engranaje de esa máquina, que prefigura el tiempo con sus fantasmas y sus ilusiones de un mundo que simboliza el paraíso y el infierno terrenal de una época histórica que, curiosamente, parece haber sido borrada del mapa mental junto con sus habitantes.

Este libro habla de una época en que las calles de Buenos Aires estaban salpicadas de niños. Nos ubica de entrada en un escenario que no es el repertorio nostálgico del barrio perdido sino la vitalidad desbordante de una ciudad-experimento, aquella que cruzó el siglo XIX al XX a ritmo volcánico, donde esa infancia plebeya escapaba a los marcos previstos. Los testigos ofrecen las visiones más pesimistas: he aquí el precio que se ha cobrado el progreso. Y dicen también: hay que hacer algo al respecto. ¿Pero qué? Claudia Freidenraij despliega las inflexiones de ese diagnóstico en un...